Double ‘A’ Side Singles

When The Beatles released ‘Strawberry Fields Forever’/Penny Lane, the idea was that they would write an album about Liverpool and their childhoods. I’ve often gone nostalgically back to my childhood, and here are two examples. ‘1964’ is a poem that was read beautifully by Johnny Morris* in a ‘posh Liverpudlian accent’ during a poetry evening in 2008, and one of many poems about my childhood written 2003/2004 to mark my 40th birthday. ‘Rainy Old English Way’ is a poem from 2015 that would bring a softer autobiographical side to the single!

*see other examples of him reading my poems on the blog

1964

The year of my birth.
Space-age infancy, I landed on earth.
I weighed in as a lightweight
With, what the father would state,
The hands of a boxer!
Cassius Clay conquering America.
The Beatles, planning their first U.S. tour,
About to meet him for a photo-call.

The parents had tied the knot
Just five months before I lay in my cot.
The everyday story of every-night flings
And what inexperience usually brings.
She was eighteen, he twenty-two.
Neither, I guess, had much of a clue.
The Swinging Sixties had sort of begun.
I want to hold your hand had hit The States No.1.

One of the earliest photographs shows
Me in my pram, not yet in the know,
In an Oxford garden, giggling away.
A rented room they struggled to pay.
She held the baby, as he worked late
In the catering trade, with a lot on their plate.
I doubt if she noticed Ray Davis happy.
Probably too busy changing my nappy.

Every name under the sun
She’d been called (for what she had done).
Her father had flipped at her deflowering at first.
That the man was a foreigner had made it much worse.
They were in love or so they had said
But a shotgun, for sure, had been at their head.
A far cry from The Social Revolution
They were shouting about on Wilson’s election.

As for his family, what they thought when they knew
Their Catholic boy had one coming too,
Must have been a much bigger shock;
The very first grandchild conceived out of wedlock!
But, as often happens, everyone rallied
And, by the time I was born, everything tallied.
So, I got my chance to live in spite
As Lennon was published In his own Write.

On February 1st, a Saturday
At 11pm or so they say
Out I popped for my first night out
Jaundiced, of course, like a lager lout
In a hospital taking its name from Churchill
Where the embattled mother lay feeling quite ill.
Her war had been won, a special occasion
As the pop world awaited The British Invasion.

Yes, that is me, the blue pram isn’t the pram though! This collage was for my poem 30¾ – another example in the same ilk here.

RAINY OLD ENGLISH WAY

Waving off grandpa and grandma
from the back of our car
painted pub signs swing
like a wood-creaking wind-wing
as autumnal photos fall-float nostalgia.

Now I’m an adult at the airport
too lazy to get too deep in thought.
Twiggy whistling trees referee
playing-field football posts growing on stilts for rugby
while outside a coach kaleidoscopic window flutter raffle tickets no-one bought.

Back then, the rain was lashing down
on the streets of a splashing town.
Being who you were when you were at home
Gazing at a big cloud in monochrome
Where watery shillings drip-dropped on puddles of half a crown.

Double ‘A’ Side Singles

In 2016, I wrote a collection called ‘Moonsville’ when I wanted to get gothic, Victorian darkness in! After having watched a documentary on Mary Shelley and Lord Byron. The whole collection had a darkness to it cos I liked a fact that in the documentary it said that there had been a summer of darkness one year in Britain! These two poems are maybe my two favourites from ‘Moonsville’. The first influenced by a song I love by Siouxie and the Banshees called ‘Carousel’ and the second written after David Bowie’s death, and a couple of lines dedicated to a great friend of mine, David Trist who had died suddenly in 2015.

ON A CAROUSEL

Morning mourners come to terms with their birth.
Toddlers clamber up shoes piled up in the corner of the room;
Start school, risk getting into trouble or not, do their homework,
and love most things that go crack, bang and boom.

Later and well before, flower bulbs are lobbed into the sea.
Seeds rain down on seaworthy upside-down roofs.
Everyone needs money, or something to get something, a currency
As wine bottles twirl round daring them to tell truths.

Over time, flesh drops off bones as skin gets torn.
Brains bubble and boil in jars hidden away in treetop laboratory hideaways.
They retire or die before, expect the unknown, finish their days.
The only thing for sure is running away to the fair will be frowned upon
and, even contemplating it, will be treated with scorn.

PIONEER 10

Far out and far off
Messengers send out messages for others far away.
Above a head shouldering that flaming blame
A heart bursts below on a planet of anonymous fame.

After your death, going back home isn’t quite the same.
I count down blast off to your return.
All of the papers mentioned you ‘cause you were headline news.
All the night stars tonight have the sky blues.

One of my favourite collages too!

Double ‘A’ Side Singles

Both of these poems come from how much of what I write is influenced by pop music. I love The Who and my cat Moony is named after Keith Moon, so no complaints about his character cos he’s as crazy as the drummer! I wrote this first poem twenty years ago. and was written from the ‘catchy’ title as a starting point.

Mods‘n’Rockers

The mods‘n’rockers
go hell for leather versus parka.
A rough‘n’tumble bank holiday beach
and the motorcycle rumble lambretta screech.

You can’t cope keep control
when the tears rattle reel‘n’roll.
Your moods at one another’s throats, black‘n’blue,
bring a lump to yours too.

And the mods‘n’rockers really kick in
when your head starts to bounce bump‘n’spin.
While Elvis the Pelvis sticks in the boot in Marlon Brando gear
Moon the Loon legs it, kitted out in his zoot, along Brighton Pier.

You feel tense under the strain
with your heart’s crash helmet dented again.
Round after round of knuckle sandwich fish‘n’chip fisticuffs
‘cos the mods‘n’rockers don’t ever let up.

I like inventing characters that you can invent whatever you like with, and this one is one of my favourites. The collage has my old school uniform blazer in it – At times, I like the idea of doing an Alfred Hitchcock film thing of popping up somewhere in my collages without being noticed!

JOHNNY PHANTASMAGORIA

His photographic memory
snaps it up, on the blink.
Nothing rings a bell
as he pulls the other one, and thinks;

He’s a pop star in his head
and never down on song.
Anything he wears gets worn-out
before it catches on.

Everyone he sees gets drawn in.
His first impressions last.
His revolving bookcase cluttered up
with pencil faces rubbed on brass.

So, while the other schoolchildren
shout out he’s a prat
he zigzags off towards the bike sheds
with a weather-cock on his cap.

Double ‘A’ Side Singles

This first is about dying from cancer. I wrote it for a guy called Richard in 2000. I didn’t know him that well but I was struck by the fact that at 40 he was dying from cancer. I smoke so always that nagging feeling that this could one day happen.

The Great Disappearing Man

He’s quite a spectacle as he wastes away.
Savings under the mattress for a rainy day
Going up in smoke for all to see.
Bugger-all hope in his battle to be
The Man who Came Back from Death’s Door
To a standing ovation and round of applause

But, as visiting hours take their toll
And he’s turned over to a drum roll
The grand finale, the final act
Leaves the spectators wearing black

I wrote this second poem in 2011 when I’d been having a few gout attacks and also thought I might have athritis. Times I really struggled to walk. I wrote this poem on the back of that. Influenced by Blur and Britpop and songs like ‘Ernold Same’ and ‘Arnold Sane’. The song has Chicco Fresu putting music to it with me finding the melody and singing (obviously influenced by Damon Albarn). Chicco’s guitar solo is great, as he said ‘I just imagined the shooting pain of athritis.’ Song from 2016.

ARTHUR I. TUSS

Struggles off the bus
With his pass and a fuss.
Fought in France and Italy I’ll have you know!

Full of pride and swollen ego,
He widowers down the street.
Every foot a mile with his feet.

Deadly I was, used to knock’em in!
Visited of an afternoon by his next of kin.
Snapshots of better times on the mantelpiece.

Literally seconds having settee-slumped down for a little peace
Does he pull himself back up back to the kitchen for the tea-spoon;
Thank bugger, me ‘ome ‘elp ‘ll be ‘ome soon!

Parents’ Evening

Once quietly brilliant.
Now brilliantly quiet.
‘While amateurs fit characters to plots
professionals fit plots to characters’.

There’s something going on.
Something going right or wrong?
This term’s work has been erratic.
Long-term may stick.

Is everything ok at home?
Seems distant at times and a long way away.
Just like a cat that wants to roam
while flattening down 100 blades of grass where it’ll lay.

Music seems to be the way to go.
While lost in it, tends to find focus.
The other day there was a moment
when a look + a sudden flash = (ed) what it meant.

Mythomaniac

I’m a mythomaniac.
I’ve got no empathy with facts.
I make up things to not crack.
I’ve got a devil’s tongue on my shoulder for pacts.

I’m a mythomaniac.
I’ve got a shallow grave for yakety yak.
I make up things for what I lack.
I’ve got an angel on my shoulder to wing it with my quack.

I’m a mythomaniac.
I’m a legend with a tall tale to stack.
I make up things to clickety clack.
I’ve got a grave digger to cover my tracks.

I’m a mythomaniac.
I’ve got truths and lies holding back.
I make up things in my shack.
I ignore it if I give myself any flack.